Excellent and refined the conducting of Michele Nitti, who imposed balance and musicality.

Alessandro Romanelli

He exalted the clarity, the simplicity and the tender expressivness of the score.

Nitti conducted the orchestra with abundance of colours and engaging vitality.

Sparkling and at the dame time very graceful che execution of the Classical Symphony of Prokof’ev.

Nicola Sbisà

Gazzetta del mezzogiorno

Memorable concert for quality of execution and conducting.

The orchestra is a triumphe of melodies and majestic phrases that the orchestra realises in an execution of dazzling beauty.

The excellent conducting of Nitti who chisels alla the phrases with humble respect of the score (Missa in honorem SS Trinitaria – Mozart), returns to the audience the famous Mozart’s piece with renewed freshness.

In the Classical Symphony n.1 of Prokof’ev orchestra and conductor navigate peacefully and with magnificent expressiveness.

Enzo Garofalo

Fame di Sud

Great heed for work, an uncommon sensitivity in the dynamics and phrasing, and high-level musicality.

Requiem Fauré

The program is entrusted to the expert and sensitive leadership of Michele Nitti. The sober and earnest conductorship has fully exalted the spirit of the composition. The wonderful execution dragged the large audience.

A jump into the past, therefore, proposed gently and gracefully.

Very good and fruitful agreement between conductor, soloist and enthusiastic audience, for a performance that has returned to the music all its captivating pregnancy (Saint-Saens Cello Concerto No. 1).

Nitti, who had opened the evening with a fiery interpretation of the Euryanthe ouverture, then gave a wonderful test of amplitude sound and of insinuating melodiousness of the Haydn’s score (Symphony No. 103)

The young conductor Michele Nitti, musician with great  technical skill, rare sensitivity and expressive force. He has assured, once again, an artistic increase of the orchestra that he can dominate in an excellent way thanks to the clarity, balance and elegance of the gesture. But in general, we can see the attention of the conductor to the composer’s thought of the music and to the creative energy of the score: without limits of periods, schools, or nationality. He also confirmed it in this concert program between 700^th and contemporaneity.

Soloist valuable, the croatian cellist Jelena Ocic, very talented young musician, in exemplary unity of purpose with Michele Nitti, impeccable in the conducting of Senderovas’ cello concert.

 Nitti conducted Schubert (Zauberharfe ouverture) with great and enthralling vitality, warmly applauded.